Lowensteins

‘Pink Tree, Blue Shed’ by Mark Howson, from ‘Set / Scene’, a group exhibition curated by Emma Elizabeth, on view at .M Contemporary in Sydney until Feb 28: https://mcontemp.com/exhibition/design-exhibition/

‘The reassembled self’ by Brent Harris, from Summer Group Exhibition, on view at Martin Browne Contemporary until Jan 31: https://martinbrownecontemporary.com/summer-group-exhibition-2025-2026/

‘Pawn’ by Marie Hagerty, from ‘Summer Curated’, a group exhibition on view at Olsen Gallery until Jan 31: https://www.olsengallery.com/exhibition/summer-curated-olsen-gallery/

‘Elegy for Twelve Maidens’ by Kirsten Coehlo, from ‘Kerameikos’, a curated group exhibition at the Chau Chak Wing Museum (image sourced): https://www.sullivanstrumpf.com/exhibitions/kerameikos

‘Alluring Recline’ by Rhys Lee, from ‘PANEL 2026’, a group exhibition at Nanda/Hobbs, on view until Jan 30: https://nandahobbs.com/exhibition/panel-2026

to Todd Fuller on the launch of ‘Insubstantial Love Stories’, an exploration of his recent bodies of work, on view at Wagga Wagga Art Gallery until April 12: https://waggaartgallery.com.au/whats-on/current-exhibitions/todd-fuller-insubstantial-love-stories

[Belated] to August Carpenter on being awarded the 2025 Experimental Print Prize for ‘the pressure is immense’, on view with works by winners in other categories and finalists in the Prize at the Castlemaine Art Museum until March 1: https://castlemaineartmuseum.org.au/exhibitions/2025-epp

to our friends, clients, all other artists and their participating galleries and yet another successful representation of Australian contingent at the ART SG 2026, which took place last weekend, 23 Jan – 25 Jan 2026, at Marina Bay Sands Expo and Convention Centre in Singapore (image and installation views courtesy Sullivan+Strumpf).

‘Pakeepan Mirring – Through Country’ by Adnate (in collaboration with Tommy Day), from Adnate’s current exhibition of recent paintings, ‘Shared Visions’, on view at Nanda/Hobbs until Jan 31: https://nandahobbs.com/exhibition/shared-visions

An installation view of ‘Prudence Flint and John Brack: All Angles’, on view at The Ian Potter Centre: NGV Australia until Feb 22: https://www.ngv.vic.gov.au/exhibition/prudence-flint-and-john-brack-all-angles/

An installation view of ‘Birrarung ba brungergalk’ by Peta Clancy, from ‘The City Wakes, the City Sleeps,’ a curated group exhibition from the collections of the TarraWarra Museum of Art, curated by Dr Victoria Lynn and James Lynch, on view at the Museum until March 1: https://www.twma.com.au/exhibitions/the-city-wakes-the-city-sleeps/

We were saddened to have learned, rather belatedly, of the passing of the multi-talented Tasmanian-based artist and teacher Gay Hawkes at the age of 83, and express our most sincere condolences to the artist’s family, friends, colleagues, and supporters [image courtesy https://gayhawkes.com/; obituary courtesy https://www.woodreview.com.au/news/vale-gay-hawkes-1942-2025].